(I hope that's the adequate category to post the following. Otherwise moderators may move this topic to a better place.)
I would not open here a discussion about copyright or about why or why not drawing revivals. I find those questions are extensively and interestingly discussed on other topics.
I think that should be constructive and funny (why not) to read your personnal experience about drawing more or less accurate reconstitution of old or very ancient fonts (in the Venetians I take for example Mangel's Basel Antiqua), or more or less free reinterpretation of them (for example Hadriano, Pastonchi etc.)
That could be a technical learning or an aesthetical or even an emotional experience.
Do you have plenty of satisfaction or even big frustration in this area, express yourself here if you want for our information.
Thank you in advance !
ivan
I would not open here a discussion about copyright or about why or why not drawing revivals. I find those questions are extensively and interestingly discussed on other topics.
I think that should be constructive and funny (why not) to read your personnal experience about drawing more or less accurate reconstitution of old or very ancient fonts (in the Venetians I take for example Mangel's Basel Antiqua), or more or less free reinterpretation of them (for example Hadriano, Pastonchi etc.)
That could be a technical learning or an aesthetical or even an emotional experience.
Do you have plenty of satisfaction or even big frustration in this area, express yourself here if you want for our information.
Thank you in advance !
ivan